Currently viewing the tag: "Volksbuehne"
[This text has been accepted for publication and will appear in a revised form in Theatre Survey 59.2 (May 2018) (published by Cambridge University Press); copyright (c) 2018, American Society for Theatre Research.]
“But everyone who is in favour of a living theatre will no longer be […]
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Almost two years ago, the Berlin government announced that Frank Castorf’s contract as the artistic director of the Volksbühne would not be renewed after the end of his current term in the summer of 2017, and that his successor would be Chris Dercon, at that point Director of the Tate […]
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(Off the cuff and short.)
My evening in the Volksbuehne: Frank Castorf directing The Master Builder.
4 hours of Ibsen. Well. 4 hours of Ibsen and a lot of other stuff. 4 hours of nine life-sized dolls of the former Volksbuehne star Henry Hübchen being thrown around on stage; 4 hours of actors walking in […]
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A prologue
The title’s a misnomer. Berlin is not Germany. Things are true there that aren’t true elsewhere. It’s also a bit of a theatrical pressure cooker, so even phenomena that occur throughout Germany are likely to find a more pronounced expression there.
Chapter the first: There is no such thing […]
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Off the plane, into a theatre: and how. The Volksbühne, perhaps the most iconoclastic of Berlin’s publicly funded theatres, launched a three-part Moliere project this year. Of the three productions, one (The Miser, directed by Frank Castorf) is advertised as “by” Moliere; one (The Imaginary Invalid, directed by Martin Wuttke, who […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
