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It’s been a while since I’ve written anything on here about the distant past — it’s been a while since I’ve written anything on here at all! — but because I’ve been playing around with data a bit this week, I thought I might as well share some of that, and […]
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So. It’s been over a week since the Emma Rice debacle at the Globe hit the headlines. My first response was anger and disbelief, and obviously, as is my wont, I was ready to blog about it — but then, between seeing shows in Berlin and spending my days in German archives reading through rehearsal […]
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A brief outburst, prompted by nothing in particular.
Well, that’s lie. Prompted by this experience: I found myself walking into the Tom Patterson Theatre at Stratford in a crowd of teenaged high school students, and I was worried. I feared they’d be noisy and inattentive, and I particularly feared I’d be seeing faces lit up […]
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I’ve spent a good deal of time and energy writing about why Brian Vickers’s The One King Lear is such a terribly misguided book — both in an almost endless string of tweets and in a forthcoming long-form essay for the Los Angeles Review of Books. One of the things that […]
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Three weeks ago I had what seemed like a fun idea at the time: I’d live-tweet a steady stream of my responses to Brian Vickers’s — sorry: Sir Brian Vickers’s — new work of counter-revisionist literary/textual/theatre history, The One King Lear (Harvard UP, 2016). It turned into a bit of […]
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I suspect that my generation of theatre historians will look back on this day as a game changing moment: the Curtain has been dug up in Shoreditch, and it’s nothing like what we expected. I’m too young to remember the announcement of the Rose dig, which also shattered a lot of received narratives. It probably […]
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I wrote this rather grumpy short paper for a roundtable on “Pedagogical Shakespeare: Text, Performance, and Digitalization,” organized by Bradin Cormack and Elizabeth Harvey at this year’s MLA conference. It’s a position statement at best, expressing an unease and a dissatisfaction, but not offering any real solutions to what’s bugging me about the use of […]
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This autumn, I directed a show. It’s something I’ve wanted to do again for a long time — there was a period in my life when I thought I wanted to be a director, and when I returned to grad school, I did so with the ultimately failed ambition to carry on doing creative as […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
