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"Theatre"
Off the plane, into a theatre: and how. The Volksbühne, perhaps the most iconoclastic of Berlin’s publicly funded theatres, launched a three-part Moliere project this year. Of the three productions, one (The Miser, directed by Frank Castorf) is advertised as “by” Moliere; one (The Imaginary Invalid, directed by Martin Wuttke, who […]
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Ah, it’s been a while, but it’s time for another instalment in this sad chronicle of inane Shakespeareana.
This one is painful, I have to admit. It’s one thing to have actors spout nonsense, or to get to listen to a once-important historian with no established expertise in the subject; but […]
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I really wanted to like Matthew Jocelyn’s CanStage production of Melissa James Gibson’s This. And I liked it well enough. The performances are uniformly excellent, the play is witty (Alon Nashman in particular gets a lot of mileage out of its one-liners), Jocelyn and designer Astrid Janson have transformed the Berkeley Street Theatre’s downstairs space […]
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Dear readers, let me invite you all to a talk I have co-organized with the Centre for Drama, Theatre and Performance Studies at U of T as part of their Friday Chat Series:
Annemarie Matzke
(University of Hildesheim, Germany)
“Theatre at Work: Towards a Theory of Theatre Rehearsal […]
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A shamelessly self-indulgent post — I have a very exciting May in Berlin ahead of me. Here’s the itinerary, with lots of links to trailers (almost all the links are in English):
May 1: Don Juan (Moliere/Rene Pollesch) – Volksbuehne
Part of the Volksbuehne’s current exploration of Moliere (the other pieces are versions […]
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Oy. It’s been a while. A stupendously busy January, a long February, ten days in bed with the plague (or else a flu I caught in the UK). Sorry, reader.
But I am back with happy news: there IS exciting classical theatre in Canada after all. I have just witnessed the most riveting performance of […]
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This isn’t really a post as such — it’s an invitation to comment. I would love to hear from theatre practitioners, actors as well as directors, and perhaps even playwrights: what does rehearsal mean to you? What do you see as its purpose? What makes for a good rehearsal? What for a bad or unproductive […]
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In my last post, I darkly hinted at a new research project. Let me throw a bit more light on the subject.
Over the next couple of years, I’m planning to get my hands dirty in both comparative literature and in practice-based research. Most broadly, I want to figure out what exactly “a classic” is […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
