Currently viewing the tag: "Jette Steckel"
Jette Steckel’s production of Arthur Schnitzler’s Das Weite Land at the Deutsche Theater makes no efforts to reinvent much of anything. It’s a very well done, moderately inventive staging of a classic — and it’s remarkable precisely because it is so unremarkable in context. This is simply a good example of what “normal” looks like […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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There is a conviction that haunts the English theatre: that proscenium stages create distance. That they create a fourth wall. That they are ultimately, somehow, undemocratic. And that all the ills of the proscenium stage, that withdrawn, closed-off, elitist monster, are remedied by the thrust stage — welcoming, reaching out to the audience, refusing to […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
