Currently viewing the tag: "chekhov"
When Simon Stone “overwrote” Lorca’s Yerma at the Young Vic last year, I was impressed — partly because he did so on a set that toyed with the apparent naturalism of the show (a perspex box, largely empty except for one brief fantasy of exclusively furnished bourgeois life, an aquarium in which the mic’ed-up cast […]
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It was the worst of theatre, it was the best of theatre. This cycle of Chekhov’s first three plays (Platonov — heavily edited and adapted; Ivanov; and The Seagull), in new “versions” by David Hare and directed by Jonathan Kent, was celebrated in the press when it opened at Chichester last year and is now […]
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An empty stage, sliced diagonally in half by dolly tracks running from downstage right to upstage left; on those tracks, a grand piano on a cart, equipped with a microphone for the player. The pianist enters, sits at the piano, and starts a tentative vocal improv. Lights off. The cast shuffle on. Lights up. Actors […]
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Berlin’s Maxim Gorki Theater, under the new artistic leadership that took charge last season, has quite aggressively redefined itself as what they call a post-migrant theatre — building an ensemble deliberately designed to reflect the multi-ethnic makeup of contemporary Germany (and especially contemporary Berlin), and staging a repertoire in which new plays, often with an […]
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Making good on my new year’s resolutions: going to more Toronto theatre and writing about shows on the blog rather than on Facebook. So this is rough and quick and off the cuff and relatively unfiltered.
I really, really wanted to like this production. I’m hugely supportive of CanStage including classics in their season, I […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
