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"Shakespeare"
I’m now completely immersed in the work on my book on Shakespeare in Berlin in the last 100 years. In particular, I’m currently digging as deep as I can into the Weimar Republic years. But since that digging is turning up a lot of little things that either have nothing to do with Shakespeare, or […]
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I have been thinking quite a bit about the problem of theatrical space lately. Open any survey of theatre history, and you are likely to find a fairly standardized account of how the spaces — the buildings, mostly — used for theatrical performances in the West have developed. Without too too much distortion, one could describe […]
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The pitch for Josie Rourke’s Measure for Measure at the Donmar, as I had understood it, was that half-way through the show, Isabella and Angelo – or rather, Hayley Atwell and Jack Lowden – would switch parts. This seemed like an intriguing twist on a long-established theatrical sleight of hand (with a pedigree as old […]
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It’s been a while since I’ve written anything on here about the distant past — it’s been a while since I’ve written anything on here at all! — but because I’ve been playing around with data a bit this week, I thought I might as well share some of that, and […]
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I saw Ivo van Hove’s Roman Tragedies on Sunday. There is no doubt that the work is a significant achievement, an evening of towering ambition and awe-inspiring commitment, a display of an actorly virtuosity very unlike that of most Anglophone actors (a difference in kind, not necessarily in quality), and a show that offers a […]
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Robert Icke’s Hamlet is so absolutely stacked with ideas and original takes that someone could produce an annotated edition of the play based on it. After a single viewing, I have almost 40 pages of notes, and I have no idea how to turn those into anything like a “review.”
I’ll […]
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So. It’s been over a week since the Emma Rice debacle at the Globe hit the headlines. My first response was anger and disbelief, and obviously, as is my wont, I was ready to blog about it — but then, between seeing shows in Berlin and spending my days in German archives reading through rehearsal […]
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One might say that Nicolas Stemann doesn’t so much stage The Merchant of Venice as interrogate the play – or the very possibility of staging it now. That would only capture part of what this production is up to, but it’s an important part – and the part that would be most unusual in an […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
