Currently viewing the tag: "Ulrich Matthes"
Jette Steckel’s production of Arthur Schnitzler’s Das Weite Land at the Deutsche Theater makes no efforts to reinvent much of anything. It’s a very well done, moderately inventive staging of a classic — and it’s remarkable precisely because it is so unremarkable in context. This is simply a good example of what “normal” looks like […]
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Ah, yes. After seven days of gushing posts, I’ve come back down to earth.
This is not all bad news. The first not-so-exciting show was a contemporary play, which I had picked specifically as a control sample. Since this entire theatre marathon is part of my nascent research project on Anglophone and Germanophone stagings of […]
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I had only seen Susanne Wolff act on video before, in Stefan Kimmig’s brilliant production of Maria Stuart (originally staged at the Thalia Theater in Hamburg and now part of the DT’s repertory). Her performance in that filmed-for-TV show was very impressive, virtuosic, powerful. What it did not prepare me for was her […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
