Currently viewing the tag: "theatre history"
Three weeks ago I had what seemed like a fun idea at the time: I’d live-tweet a steady stream of my responses to Brian Vickers’s — sorry: Sir Brian Vickers’s — new work of counter-revisionist literary/textual/theatre history, The One King Lear (Harvard UP, 2016). It turned into a bit of […]
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I suspect that my generation of theatre historians will look back on this day as a game changing moment: the Curtain has been dug up in Shoreditch, and it’s nothing like what we expected. I’m too young to remember the announcement of the Rose dig, which also shattered a lot of received narratives. It probably […]
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This is the most self-serving of posts.
This week, the new third edition of the Norton Shakespeare finally came out. It’s a total overhaul of this widely used text: unlike the first two editions, which were based on the Oxford Shakespeare, “Norton 3” includes fully edited and annotated texts of all significant […]
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I just remembered this essay, which I wrote a few years ago but never managed to get in sufficient shape for publication. It still isn’t quite right, and I’ve mostly moved on to other questions, but now that I’ve looked at it again, and am newly aware of its existence, I thought I might as […]
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Generally, I think of the posts I write on my blog as related to but separate from my academic work. With the exception of a few conference papers and a handful of other pieces, what I publish here shares some intellectual common ground with my research on contemporary performance, but it takes a different tone […]
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As some of you may know, I’ve published a number of essays taking issue with the claim that London’s theatre world became a “duopoly” in 1594, a system in which two companies chosen by the government, the Admiral’s Men and the Lord Chamberlain’s Men, each got half the city’s theatrical market for at least six […]
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A bit of a thumbnail sketch of a post, really just to air an annoyance (surprise!) and to raise a question that someone may already have answered.
The common assumption, following, as always, as always, in Andrew Gurr’s footsteps, seems to be that James Burbage bought the hall in the Blackfriars and had it turned […]
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A few weeks ago, Shakespeare made headlines once again. Or rather, Douglas Bruster did — thanks to, of all things, a Notes & Queries essay. Bruster’s piece argued that orthographic parallels between the Hand D sheets in the Book of Sir Thomas More manuscript and the additions to Kyd’s Spanish Tragedy first printed in the […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
