Currently viewing the tag: "Shakespeare’s Globe"
So. It’s been over a week since the Emma Rice debacle at the Globe hit the headlines. My first response was anger and disbelief, and obviously, as is my wont, I was ready to blog about it — but then, between seeing shows in Berlin and spending my days in German archives reading through rehearsal […]
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“Original practices,” a phrase coined, apparently at Shakespeare’s Globe, in or around 2002, refers to concerted efforts to explore, in a theatrical setting, “certain stage conventions of late sixteenth-century theatre.”[1] As Megan McDonough elaborated on her now-defunct website www.originalpractices.com, “Original Practices is a term used as short-hand for the recreation of one or […]
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The Sam Wanamaker Playhouse, the Globe’s new indoor space, is really as small as all the reviews say. I thought the critics were exaggerating, but no: it’s tiny, a mere 40 by 55 feet. To be fair, that makes it no smaller than many a blackbox theatre, so it may be a little surprising to […]
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Three of the shows I saw in New York had something in common: all were remarkable and memorable although none of them took an especially interesting, inventive, innovative, least of all radical approach. Like Julie Taymor’s Midsummer Night’s Dream, all these productions refrained from adopting much of a discernible position vis-a-vis the text they were […]
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Recent Comments
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
