It’s been a while since I’ve written anything on here about the distant past — it’s been a while since I’ve written anything on here at all! — but because I’ve been playing around with data a bit this week, I thought I might as well share some of that, and […]
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Robert Icke’s Hamlet is so absolutely stacked with ideas and original takes that someone could produce an annotated edition of the play based on it. After a single viewing, I have almost 40 pages of notes, and I have no idea how to turn those into anything like a “review.”
I’ll […]
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I’ve spent a good deal of time and energy writing about why Brian Vickers’s The One King Lear is such a terribly misguided book — both in an almost endless string of tweets and in a forthcoming long-form essay for the Los Angeles Review of Books. One of the things that […]
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I’ll be seeing a lot of theatre over the next two weeks, and I’m badly out of practice in writing about shows — it’s been almost a year since I last did a proper review! (Is anyone even still reading this? Let’s find out…) So I’m just going to throw whatever responses have up on […]
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Three weeks ago I had what seemed like a fun idea at the time: I’d live-tweet a steady stream of my responses to Brian Vickers’s — sorry: Sir Brian Vickers’s — new work of counter-revisionist literary/textual/theatre history, The One King Lear (Harvard UP, 2016). It turned into a bit of […]
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I suspect that my generation of theatre historians will look back on this day as a game changing moment: the Curtain has been dug up in Shoreditch, and it’s nothing like what we expected. I’m too young to remember the announcement of the Rose dig, which also shattered a lot of received narratives. It probably […]
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I wrote this rather grumpy short paper for a roundtable on “Pedagogical Shakespeare: Text, Performance, and Digitalization,” organized by Bradin Cormack and Elizabeth Harvey at this year’s MLA conference. It’s a position statement at best, expressing an unease and a dissatisfaction, but not offering any real solutions to what’s bugging me about the use of […]
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I saw the second preview of this, so held off posting until after it had opened (and what follows are my off-the-cuff responses jotted down right after I saw the show and not really reconsidered since then). Given that it was a preview, I perhaps shouldn’t be too judgey. But whatever. From the reviews that […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.