Currently viewing the tag: "playreading"
After various disruptions and diversions, here’s the fifth and final part of my series on manuscript annotations in playbooks in the Folger Shakespeare Library.
I thought it would be fitting to finish up with a couple of Shakespearean references. The discovery of a new mention of Shakespeare is, after all, one of the great archival […]
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Resuming my regularly scheduled program: some more playbook marginalia.
This instalment features the kind of readerly annotations that I find most interesting. In previous posts, I looked at marks that appear to be theatrical in origin, or at least treat the text as a script for performance; I also discussed some instances of […]
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Some readers, as I had mentioned in the previous post in this series, approached plays in thoroughly un-theatrical ways. In a sense, many of the marks and annotations I described in Part I also speak to a non-dramatic reception: underlinings, marginal crosses, asterisks, and other pointers, and even lines copied out in the […]
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As promised in Part I of this series, here are a few examples of printed plays that have been annotated in a way that suggests the reader had performance of one kind or another in mind. (As before, all images courtesy of the Folger Shakespeare Library, Washington, DC.)
First off, a curio. In this […]
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Here’s the first in a series of posts on a long-term research project I’m working on. The project as a whole asks what a printed play was in early modern England — why anyone would have thought turning performance scripts into books was a good idea in the first place, how those books evolved over […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
