Currently viewing the tag: "National Theatre"
It was the worst of theatre, it was the best of theatre. This cycle of Chekhov’s first three plays (Platonov — heavily edited and adapted; Ivanov; and The Seagull), in new “versions” by David Hare and directed by Jonathan Kent, was celebrated in the press when it opened at Chichester last year and is now […]
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I saw the second preview of this, so held off posting until after it had opened (and what follows are my off-the-cuff responses jotted down right after I saw the show and not really reconsidered since then). Given that it was a preview, I perhaps shouldn’t be too judgey. But whatever. From the reviews that […]
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Very quick & short off-the-cuff review.
Patrick Marber’s adaptation of Turgenev’s play (directed by Marber himself) is slick, smooth, professional, superficial, and extremely English.
A cool set, made up of suspended perspex walls and a huge reproduction of a Romantic landscape painting, cluttered with pretty 19th-century furniture, with rustic chairs for the entire cast upstage […]
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I got into a bit of a squabble on Facebook today with Kelly Nestruck about Stratford and what I described as its unwillingness to hand over substantial, youthful parts to youthful, perhaps inexperienced, actors. Kelly countered that Stratford employs quite a few actors younger than 35, and he’s right. Next season, they’re even casting someone […]
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This was the most disappointing piece of theatre I’ve seen at the NT in quite a few years. Almost as bad as Frankenstein, and without that show’s mildly worth-it first ten minutes.
I don’t even know where to begin. For context, I should probably mention that the last Medea I saw was the monumental, utterly […]
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Two days ago, the actor and director David Ferry posted a letter on Facebook and the Praxis Theatre website excoriating the city’s young — 35 and under — theatre practitioners for their alleged silence in response to the firing of Ken Gass, the influential long-time Artistic Director of the Factory Theatre. This letter […]
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Last week, I saw two performances in London. One was the kind of show I tend to love and generally want to see much more of at home in Toronto: a contemporary staging of an old play (Richard Brinsley Sheridan’s The School for Scandal); the other was the kind of show I tend to […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
