Currently viewing the tag: "Deutsches Theater"
Jette Steckel’s production of Arthur Schnitzler’s Das Weite Land at the Deutsche Theater makes no efforts to reinvent much of anything. It’s a very well done, moderately inventive staging of a classic — and it’s remarkable precisely because it is so unremarkable in context. This is simply a good example of what “normal” looks like […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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A prologue
The title’s a misnomer. Berlin is not Germany. Things are true there that aren’t true elsewhere. It’s also a bit of a theatrical pressure cooker, so even phenomena that occur throughout Germany are likely to find a more pronounced expression there.
Chapter the first: There is no such thing […]
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My final day in Berlin, my sixth show at the Deutsches Theater: finally Shakespeare. And relatively rarely performed Shakespeare, too: Coriolanus, in a new translation by Andres Marber that to my mind got more right than wrong – it certainly didn’t interfere with my enjoyment as much as the late Thomas Brasch’s famed version of […]
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Sixteen shows in, Berlin theatre still manages to surprise me with new stylistic choices, visual arsenals, and performance aesthetics. Stefan Pucher’s Hedda Gabler at the Deutsches Theater was the first production that used the revolve to switch between sets – every other time I’ve seen that feature used, it was obviously the stage floor itself […]
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Ah, yes. After seven days of gushing posts, I’ve come back down to earth.
This is not all bad news. The first not-so-exciting show was a contemporary play, which I had picked specifically as a control sample. Since this entire theatre marathon is part of my nascent research project on Anglophone and Germanophone stagings of […]
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I had only seen Susanne Wolff act on video before, in Stefan Kimmig’s brilliant production of Maria Stuart (originally staged at the Thalia Theater in Hamburg and now part of the DT’s repertory). Her performance in that filmed-for-TV show was very impressive, virtuosic, powerful. What it did not prepare me for was her […]
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Two further notes apropos yesterday’s show:
– Dialect
Horvath’s play is set in Vienna. People speak, if not quite in dialect, at least with a rich smattering of dialect words and speech forms, diminutives in particular. None of Thalheimer’s actors sounded remotely Viennese (I haven’t looked at their bios to see whether any of […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
