Currently viewing the tag: "Classical Drama"
I am very glad to say that the Stratford production of Maria Stuart, directed by Antoni Cimolino, is quite, quite excellent. I do go on about how much our theatre lacks stagings of Schiller and other underperformed classics, after all, and I wasn’t at all sure how the Festival would present this play. Having seen […]
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German stagings of classics are often exciting because they draw attention to the challenges as well as the necessity of playing works of the past — they find an enormous source of energy in the friction between old and new rather than papering over the distance between text and performance with the tired blend of […]
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Off the plane, into a theatre: and how. The Volksbühne, perhaps the most iconoclastic of Berlin’s publicly funded theatres, launched a three-part Moliere project this year. Of the three productions, one (The Miser, directed by Frank Castorf) is advertised as “by” Moliere; one (The Imaginary Invalid, directed by Martin Wuttke, who […]
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A shamelessly self-indulgent post — I have a very exciting May in Berlin ahead of me. Here’s the itinerary, with lots of links to trailers (almost all the links are in English):
May 1: Don Juan (Moliere/Rene Pollesch) – Volksbuehne
Part of the Volksbuehne’s current exploration of Moliere (the other pieces are versions […]
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Oy. It’s been a while. A stupendously busy January, a long February, ten days in bed with the plague (or else a flu I caught in the UK). Sorry, reader.
But I am back with happy news: there IS exciting classical theatre in Canada after all. I have just witnessed the most riveting performance of […]
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Before I respond to Jacob Zimmer’s thoughtful and generous comments on my “5 Points of Contention,” I first have to give him, or rather his company, Small Wooden Shoe, massive kudos for staging a reading of, would you believe it, Kleist’s Prince of Homburg on Monday — by sheer coincidence, one […]
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I was a little overwhelmed by the response to my “Five Points of Contention” post. Despite its relentlessly local focus, it quickly saw almost as many hits as my less-than-jolly review of Roland Emmerich’s Anonymous and my attack on Sherlock-author Stephen Moffat’s sexist scripts. Thank you all for reading, for sharing on Twitter […]
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Toronto is a great theatre city. All year long, a wonderful variety of performances are on offer here, from commercial, production-values-driven Mirvish musicals to the fantastic range of shows staged essentially for free and driven by little more than love of the art during the summer festivals, the Fringe and SummerWorks. We have a number […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
