Currently viewing the tag: "berlin"
Berlin’s Maxim Gorki Theater, under the new artistic leadership that took charge last season, has quite aggressively redefined itself as what they call a post-migrant theatre — building an ensemble deliberately designed to reflect the multi-ethnic makeup of contemporary Germany (and especially contemporary Berlin), and staging a repertoire in which new plays, often with an […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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Can’t keep up! So to stay on schedule, I’ll lump a few shows together and do quick summaries.
None of these were immediately deeply relevant to my “classics” project. I decided to see Armin Petras’ adaptation of Anna Karenina at the Gorki Theater mainly because I’d grown to like that little venue so much in […]
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What an action packed day! A morning discussion with Michael Thalheimer and Constanze Becker about their Medea, an afternoon discussion about the play with Inge Stephan and Hans-Thies Lehmann, and then my second Enemy of the People in three days, at the Maxim Gorki Theatre — the smallest of the six […]
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Off the plane, into a theatre: and how. The Volksbühne, perhaps the most iconoclastic of Berlin’s publicly funded theatres, launched a three-part Moliere project this year. Of the three productions, one (The Miser, directed by Frank Castorf) is advertised as “by” Moliere; one (The Imaginary Invalid, directed by Martin Wuttke, who […]
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A shamelessly self-indulgent post — I have a very exciting May in Berlin ahead of me. Here’s the itinerary, with lots of links to trailers (almost all the links are in English):
May 1: Don Juan (Moliere/Rene Pollesch) – Volksbuehne
Part of the Volksbuehne’s current exploration of Moliere (the other pieces are versions […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
