As promised in Part I of this series, here are a few examples of printed plays that have been annotated in a way that suggests the reader had performance of one kind or another in mind. (As before, all images courtesy of the Folger Shakespeare Library, Washington, DC.)
First off, a curio. In this […]
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This one’s a bit more specific than the previous entries in my ongoing campaign against commonly held misconceptions concerning Shakespeare and his world. Some theatre historians (and more frequently, people who have read those theatre historians and are oversimplifying their views) will tell you that there were two great actors in Shakespeare’s time, one associated […]
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My book, Theatre and Testimony in Shakespeare’s England: A Culture of Mediation, has just been published by Cambridge University Press in the UK; by January, it will be out in the US and Canada as well. CUP have made some excerpts available on their […]
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Two weeks ago, I wrote an op-ed arguing, among other things, that Shakespeare was not a notably erudite writer, and was not considered especially learned by his contemporaries or by his admirers for a long time after his death. Some of the responses to the piece took me on a guided tour down the […]
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Thank you, John Orloff, for another history lesson:
There’s no Internet in 1600. He had no library. No books. There were no public libraries. You cannot write about 16th century law accurately because you’re gifted. You can only do that because you understand 16th century law. I just don’t believe the genius theory.
[…]
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Or, as my original title had it, “Shakespeare as Usual”:
My op-ed in The Montreal Gazette, responding to Oxfordian Keir Cutler’s piece published last Thursday.
Here’s how it starts:
I don’t think Keir Cutler (“There is method in this madness,” Opinion, Oct. 27) and others who believe Shakespeare wasn’t Shakespeare are certifiably mad. […]
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As I argued in a post last week, academic Shakespeareans need to confront those who make it their mission to convince the public that Shakespeare didn’t write the plays Shakespeare wrote. We can’t afford to ignore these claims, lest we appear scared, indifferent, or silently consenting. But unlike some of my colleagues, I think […]
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For the longest time, academic Shakespeare specialists have simply ignored the so-called authorship controversy. In the face of a steady stream of books proposing one supposed “real Shakespeare” after another, we in the academy have largely shrugged and turned back to the kind of work we consider important, relevant, and worthwhile; and most of that […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.