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"Shakespeare"
Three of the shows I saw in New York had something in common: all were remarkable and memorable although none of them took an especially interesting, inventive, innovative, least of all radical approach. Like Julie Taymor’s Midsummer Night’s Dream, all these productions refrained from adopting much of a discernible position vis-a-vis the text they were […]
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One of the most striking aspects of my current New York theatre binge: the programs theatres hand out around here. Or rather, don’t hand out. Judging from the standard-issue brochure, audiences here are supposed to care, first and foremost, about actors. What little specific information there is about any one show is typically printed as […]
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Visually, this is a stunning production. The Polonsky Shakespeare Center, opened this season, is a remarkable space — a broad and deep thrust four stories high, configurable with all sorts of trap doors and hydraulic elements, and Julie Taymor, unsurprisingly, makes highly effective and imaginative use of all these features. The central element in the […]
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For your delectation, a small collection of trailers, reports, and cast interviews from a fairly rich array of recent productions of Romeo and Juliet, mostly from English- and German-speaking countries. Enjoy!
http://shorterdispositio.tumblr.com/
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As some of you may know, I’ve published a number of essays taking issue with the claim that London’s theatre world became a “duopoly” in 1594, a system in which two companies chosen by the government, the Admiral’s Men and the Lord Chamberlain’s Men, each got half the city’s theatrical market for at least six […]
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A bit of a thumbnail sketch of a post, really just to air an annoyance (surprise!) and to raise a question that someone may already have answered.
The common assumption, following, as always, as always, in Andrew Gurr’s footsteps, seems to be that James Burbage bought the hall in the Blackfriars and had it turned […]
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A few weeks ago, Shakespeare made headlines once again. Or rather, Douglas Bruster did — thanks to, of all things, a Notes & Queries essay. Bruster’s piece argued that orthographic parallels between the Hand D sheets in the Book of Sir Thomas More manuscript and the additions to Kyd’s Spanish Tragedy first printed in the […]
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First day in Stratford. Happy things first: I did really quite like Chris Abraham’s Othello (the swooning enthusiasm in many reviews and some of the reactions on Twitter seems a bit hysterical to me, but whatever). Julie Fox’s set in particular is a delight – three slabs of red wood, one as a raked, rotating […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
