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"Shakespeare"
As quiet as it’s been on here lately, and although I have seen all of three plays in the last two months, 2014 was actually a pretty exciting year in theatre for me:
Still: there are regrets. I didn’t write about too many of those shows. I have half-finished drafts […]
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I just remembered this essay, which I wrote a few years ago but never managed to get in sufficient shape for publication. It still isn’t quite right, and I’ve mostly moved on to other questions, but now that I’ve looked at it again, and am newly aware of its existence, I thought I might as […]
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Generally, I think of the posts I write on my blog as related to but separate from my academic work. With the exception of a few conference papers and a handful of other pieces, what I publish here shares some intellectual common ground with my research on contemporary performance, but it takes a different tone […]
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“This American Life” host Ira Glass went to Central Park to see King Lear with John Lithgow in the title role. He thought Lithgow was “amazing.” He also, a bit more controversially, thought the play was kind of crappy (leaving unanswered the question of how an actor can be amazing in such an […]
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“Original practices,” a phrase coined, apparently at Shakespeare’s Globe, in or around 2002, refers to concerted efforts to explore, in a theatrical setting, “certain stage conventions of late sixteenth-century theatre.”[1] As Megan McDonough elaborated on her now-defunct website www.originalpractices.com, “Original Practices is a term used as short-hand for the recreation of one or […]
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This is a set of thoughts and questions I produced for a workshop on (performance) Practice-as-Research (organized by Andy Kesson and Stephen Purcell) at next week’s Shakespeare Association of America conference in St Louis. Nothing I say in here applies, really, to the kind of research-as-practice undertaken by scholar-practitioners engaged in the making of new […]
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The Sam Wanamaker Playhouse, the Globe’s new indoor space, is really as small as all the reviews say. I thought the critics were exaggerating, but no: it’s tiny, a mere 40 by 55 feet. To be fair, that makes it no smaller than many a blackbox theatre, so it may be a little surprising to […]
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So, Mark Rylance.
It may be a bit contrary of me to say that Rylance is the single most remarkable — really, the only remarkable — thing about the current Broadway productions of Twelfth Night and Richard III. Both shows, and particularly the comedy, have after all been hailed by US critics as virtually unprecedented […]
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Recent Comments
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
