I wrote this a week ago, and I am posting it here now in a slightly revised form in the hope that it might make a difference.
This is an uninspiring plea. I want to urge you to vote not with your heart, or with your convictions, but with your head […]
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Rehearsal halls have to be, by definition, safe spaces. They have to be places where people can be as vulnerable as necessary, as open as they need to be, as free of inhibitions, as daring, as fearless, as liberated as the work requires.
I am sick and tired of men who […]
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Almost two years ago, the Berlin government announced that Frank Castorf’s contract as the artistic director of the Volksbühne would not be renewed after the end of his current term in the summer of 2017, and that his successor would be Chris Dercon, at that point Director of the Tate […]
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From my Northern perch, I’ve been following the US election rather obsessively. From a partisan angle? Of course. If the orange monster gets elected, he will not just wreck his own country. His environmental policies alone would be a complete disaster for the entire planet.
But I don’t want to say anything about why Trump […]
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You have the best arts coverage of all our Canadian newspapers. You have some excellent reporters. During this election campaign, you published a number of serious, well-considered, forcefully argued editorials. I don’t know why you feel the need to give Margaret Wente a platform, but I can overlook that. Often, I feel like you are […]
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I was born in West Germany. In my late teens, after the collapse of the GDR and the reunification of the two Germanies I’d grown up with, I spent much of my spare time organizing protest marches agains the conservative government’s asylum policies. Recently, I found a newspaper clipping about one of those rallies, from […]
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I would not ordinarily do this: I wouldn’t ordinarily attack a colleague in public over something that colleague said in a non-academic publication. Thankfully, David Gilmour isn’t actually a colleague of mine, despite what you might have read. Gilmour is emphatically not a “University of Toronto literature professor.” He is a novelist and a broadcaster; […]
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This afternoon, I sat through an hour-long, occasionally impassioned, mostly entertaining, at points gallingly historically inaccurate debate at SummerWorks on the question of whether funding for the arts should continue. Moderated by PraxisTheatre’s Michael Wheeler, the two sides of the argument were represented by Canadian journalist and columnist Andrew Coyne and theatre maker Nadia Ross […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.