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"Performance Reviews"
I’m working on a longish thing about Jamie Lloyd’s quite brilliant Richard III and won’t have time for a proper write-up of this much-anticipated Streetcar Named Desire (starring Gillian Anderson). But here’s a brief run-down of what I thought worked (little) and what to my mind ultimately made this a production that didn’t really go […]
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This was the most disappointing piece of theatre I’ve seen at the NT in quite a few years. Almost as bad as Frankenstein, and without that show’s mildly worth-it first ten minutes.
I don’t even know where to begin. For context, I should probably mention that the last Medea I saw was the monumental, utterly […]
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I still have to write things about the Munich Residenztheater Faust, and about the RSC White Devil, and perhaps about the RSC Two Gents, but the backlog is getting out of hand, so I’ll just write quickly, off the cuff, and without too much deliberation about the show I just saw at the Royal Court, […]
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The theatre trip I’m on right now is as exhilarating as it is exhausting, and I have nowhere near enough time to write about what I’m seeing. I’ll probably do a short-form round up of sorts in the next couple of days. But the other night, I saw a production that I have to write […]
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The curtain opens, and I think I’m in the Lyttelton. No way this is a German set. The proscenium is completely closed off — a picture frame around a photo-realistic replica of the entrance hall and swooping grand staircase of a decaying 19th-century mansion, trees starting to shoot up through the cracked floor tiles, windows […]
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I’ve just embarked on another marathon in German theatre. This year, I partly want to see just how marked (if at all) the difference are between theatre in Berlin and the rest of the country. Last year, I repeatedly heard that because directors travel so much and even actors aren’t quite as stable in their […]
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The Lyric Hammersmith’s “Secret Theatre” project has been much discussed, praised, and derided, and I won’t try to recap the project itself – my knowledge of what the company has been up to is entirely second hand anyway. What I had read, however, had made me very curious and I was thrilled to discover that […]
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A really quick post, because I’m not really competent to write anything like a serious piece on a Beckett play.
Three bits I can say:
1. I can’t recall the last time a play made me want to do something so badly. First, mildly, when Winnie is trying to recall one of those immortal lines, […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
