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"Performance Reviews"
This is an obituary.
Let me quote Soulpepper’s own company history, a history that traces the progress from a “dream” to “making the dream a reality” to the birth of “a new company”:
Soulpepper Theatre Company began with twelve actors who wanted to explore the great stories of classical theatre and inspire the […]
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I am happy. Tonight, I saw a genuine piece of theatre. A show that did the sorts of things that I go to the theatre for. The things theatre can do and film can’t. That show was Soulpepper’s production of Mikhail Bulgakov’s Royal Comedians, directed by László Marton.
Predictably, I suppose, my delight was not […]
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A four hour drive through Ontario nothingness, almost $200 for tickets alone, barely suppressed rage at inane audience comments (it boggles the mind how much damage Harold Bloom has done to Shakespeare): totally worth it for Elektra. For Cymbeline, not so much.
Robert Cushman and Kelly Nestruck have written nicely detailed […]
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I wasn’t going to write anything about this. But now I’ve read Robert Cushman’s review of Soulpepper’s Crucible, and now I’m incensed; so now I have to write about this.
Soulpepper’s Crucible is a very well-acted performance that is almost entirely devoid of ideas. It shows little evidence of direction beyond the coaching of actors, […]
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I saw and loved Of Mice and Morro and Jasp on Friday, but I wasn’t planning to write about it. I don’t really feel qualified to discuss clown shows — I have a lot of affection for the genre, but I don’t know enough about it to be more than a naive spectator. Take one […]
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Bad news first: Debbie Tucker Green’s play is not perfectly formed. The script’s first half, an extraordinarily poetic exploration of domestic abuse and its impact on those around the victim and the abuser, weaves together three essentially disconnected characters’ monologues, characters here separated from each other by lines of red sand that occasionally are crossed, […]
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Oh, this is difficult. I wanted to like this show. I’m constantly complaining about the lack of interesting takes on classical drama, and this production seemed to offer just such a thing, promising to bring Sophocles’s Antigone into the 21st century via the Toronto G20 clashes. Combining a contemporary perspective and an ancient text is […]
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First blog post ever written on my phone — such is Fringe life!
Taming of the Shrew, a play I loathe more than any other of Shakespeare’s works, is being staged at the Victory Cafe by Shakespeare BASH’d and directed by Eric Double, who also frames the show in the part of Christopher Sly. It’s […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
