“This American Life” host Ira Glass went to Central Park to see King Lear with John Lithgow in the title role. He thought Lithgow was “amazing.” He also, a bit more controversially, thought the play was kind of crappy (leaving unanswered the question of how an actor can be amazing in such an […]
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So, Mark Rylance.
It may be a bit contrary of me to say that Rylance is the single most remarkable — really, the only remarkable — thing about the current Broadway productions of Twelfth Night and Richard III. Both shows, and particularly the comedy, have after all been hailed by US critics as virtually unprecedented […]
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Three of the shows I saw in New York had something in common: all were remarkable and memorable although none of them took an especially interesting, inventive, innovative, least of all radical approach. Like Julie Taymor’s Midsummer Night’s Dream, all these productions refrained from adopting much of a discernible position vis-a-vis the text they were […]
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It begins with an empty, black stage. Well, almost empty. There’s a huge box fan stage left, backlit with a spot. A single figure in a shabby black suit appears, with a microphone. And then, the storm. The besuited actor whistles like a breeze, howls like the wind, roars like crashing waves. The fan starts […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.