Currently viewing the tag: "Stratford Festival"
Just some thoughts and responses, very much off-the-cuff, written right after I saw the show and only lightly edited:
1) I do not and will never understand the Anglo-American approach to “concept.” Taking a 17th-century play and transporting it to 1930s Spain does precisely nothing for anyone, except perhaps for the handful of people in […]
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This will be short.
You walk into the Swan. It might as well be the Sam Wanamaker Playhouse. There’s smoke in the air and lots of candles, and soon a bunch of people in Jacobean outfits will enter; there’s also a table laden with nicely antiqued props upstage. Once the acting starts, the audience intermittently […]
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I got into a bit of a squabble on Facebook today with Kelly Nestruck about Stratford and what I described as its unwillingness to hand over substantial, youthful parts to youthful, perhaps inexperienced, actors. Kelly countered that Stratford employs quite a few actors younger than 35, and he’s right. Next season, they’re even casting someone […]
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A couple of weeks ago when I was in Vienna, attending a congress celebrating the 125th anniversary of the Burgtheater’s current home, an utterly over-the-top theatre palace and one of the reputed hallowed sites of German-language performance arts, I picked up a substantial, glossy volume published by a theatre scholar in collaboration with the Burgtheater. […]
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I am very glad to say that the Stratford production of Maria Stuart, directed by Antoni Cimolino, is quite, quite excellent. I do go on about how much our theatre lacks stagings of Schiller and other underperformed classics, after all, and I wasn’t at all sure how the Festival would present this play. Having seen […]
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First day in Stratford. Happy things first: I did really quite like Chris Abraham’s Othello (the swooning enthusiasm in many reviews and some of the reactions on Twitter seems a bit hysterical to me, but whatever). Julie Fox’s set in particular is a delight – three slabs of red wood, one as a raked, rotating […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
