Currently viewing the tag: "Shakespeare"
I’ll have more to say on this later on, but here, for your consideration, two lengthy-ish quotations from not altogether recent works about what’s wrong with some approaches to staging the classics — approaches that remain, sadly, utterly dominant in Canada.
In chronological order, first, here’s Bertolt Brecht, from “Intimidation through Classicism” (1954), a short […]
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This post is a long excerpt from an essay of mine published a few months ago, “‘But, what euer you do, Buy’: Richard II as Popular Commodity” (in Jeremy Lopez, ed., Richard II: New Critical Essays, London and New York: Routledge, 2012, 223-44). You’ll find the concluding sections and full citations in the […]
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First blog post ever written on my phone — such is Fringe life!
Taming of the Shrew, a play I loathe more than any other of Shakespeare’s works, is being staged at the Victory Cafe by Shakespeare BASH’d and directed by Eric Double, who also frames the show in the part of Christopher Sly. It’s […]
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The silly season is upon us.
Shakespeare is one of the key focal points of the celebrations surrounding the Olympic Summer Games in London, with a major exhibition at the British Museum (see my thoughts on that here), an international theatre festival stretching through most of the year, and a series of related […]
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[This is a very lightly edited version of a paper I gave last weekend at the Renaissance Society of America conference in Washington, DC. Many thanks to Adam Hooks and András Kiséry for organizing the panel and for their excellent papers!]
Thomas Dekker should be central to discussions of early modern theatre, but he isn’t. […]
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After various disruptions and diversions, here’s the fifth and final part of my series on manuscript annotations in playbooks in the Folger Shakespeare Library.
I thought it would be fitting to finish up with a couple of Shakespearean references. The discovery of a new mention of Shakespeare is, after all, one of the great archival […]
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Resuming my regularly scheduled program: some more playbook marginalia.
This instalment features the kind of readerly annotations that I find most interesting. In previous posts, I looked at marks that appear to be theatrical in origin, or at least treat the text as a script for performance; I also discussed some instances of […]
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So I thought this would be funny, as an addendum to the discussion of the sexism of Sherlock. Add more below!
Steven Moffat adapts Jane Eyre:
“Reader, he married me.”
Steven Moffat adapts Pride and Prejudice:
“It is a truth universally acknowledged that a single woman in possession of a good fortune […]
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
