Currently viewing the tag: "Richard III"
I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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So, Mark Rylance.
It may be a bit contrary of me to say that Rylance is the single most remarkable — really, the only remarkable — thing about the current Broadway productions of Twelfth Night and Richard III. Both shows, and particularly the comedy, have after all been hailed by US critics as virtually unprecedented […]
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Three of the shows I saw in New York had something in common: all were remarkable and memorable although none of them took an especially interesting, inventive, innovative, least of all radical approach. Like Julie Taymor’s Midsummer Night’s Dream, all these productions refrained from adopting much of a discernible position vis-a-vis the text they were […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
