Rehearsal halls have to be, by definition, safe spaces. They have to be places where people can be as vulnerable as necessary, as open as they need to be, as free of inhibitions, as daring, as fearless, as liberated as the work requires.
I am sick and tired of men who […]
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This autumn, I directed a show. It’s something I’ve wanted to do again for a long time — there was a period in my life when I thought I wanted to be a director, and when I returned to grad school, I did so with the ultimately failed ambition to carry on doing creative as […]
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I should be writing about the two Woyzecks I’ve seen this week, and about Karin Henkel’s fantastic John Gabriel Borkmann. But the other thing I’ve been watching, other than plays, is Q&As – and I have a few questions.
They’re a funny ritual, those post-show talkbacks. At Theatertreffen, they’re obligatory: most of the cast, the […]
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Dear readers, let me invite you all to a talk I have co-organized with the Centre for Drama, Theatre and Performance Studies at U of T as part of their Friday Chat Series:
Annemarie Matzke
(University of Hildesheim, Germany)
“Theatre at Work: Towards a Theory of Theatre Rehearsal […]
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This isn’t really a post as such — it’s an invitation to comment. I would love to hear from theatre practitioners, actors as well as directors, and perhaps even playwrights: what does rehearsal mean to you? What do you see as its purpose? What makes for a good rehearsal? What for a bad or unproductive […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.