Currently viewing the tag: "Katie Mitchell"
I saw Ivo van Hove’s Roman Tragedies on Sunday. There is no doubt that the work is a significant achievement, an evening of towering ambition and awe-inspiring commitment, a display of an actorly virtuosity very unlike that of most Anglophone actors (a difference in kind, not necessarily in quality), and a show that offers a […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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The curtain opens, and I think I’m in the Lyttelton. No way this is a German set. The proscenium is completely closed off — a picture frame around a photo-realistic replica of the entrance hall and swooping grand staircase of a decaying 19th-century mansion, trees starting to shoot up through the cracked floor tiles, windows […]
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Can’t keep up! So to stay on schedule, I’ll lump a few shows together and do quick summaries.
None of these were immediately deeply relevant to my “classics” project. I decided to see Armin Petras’ adaptation of Anna Karenina at the Gorki Theater mainly because I’d grown to like that little venue so much in […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
