Currently viewing the tag: "Karin Beier"
For years now, I have been trying to figure out and describe what exactly is so special about German theatre. In some ways, particularly from the perspective of the English-speaking theatre world, it may seem like I’d need to draw up a pretty long list of oddities: no historical costumes, no respect for the text, […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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The curtain opens, and I think I’m in the Lyttelton. No way this is a German set. The proscenium is completely closed off — a picture frame around a photo-realistic replica of the entrance hall and swooping grand staircase of a decaying 19th-century mansion, trees starting to shoot up through the cracked floor tiles, windows […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
