Just some thoughts and responses, very much off-the-cuff, written right after I saw the show and only lightly edited:
1) I do not and will never understand the Anglo-American approach to “concept.” Taking a 17th-century play and transporting it to 1930s Spain does precisely nothing for anyone, except perhaps for the handful of people in […]
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Tim Carroll has been appointed as the new Artistic Director of the Shaw Festival. When the news was announced last week, my instant reaction was that “this may be the weirdest and most inexplicable AD appointment I’ve come across;” having had time to ponder, I remain baffled.
At first glance, it’s not glaringly obvious why […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I saw the original production of London Road at the Cottesloe in 2011, was blown away by it then, and wrote about the show in the early days of this blog. It remains one of my favourite pieces of musical theatre ever (although that, admittedly, is a very short list). When CanStage announced […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.