Currently viewing the tag: "ibsen"
(Off the cuff and short.)
My evening in the Volksbuehne: Frank Castorf directing The Master Builder.
4 hours of Ibsen. Well. 4 hours of Ibsen and a lot of other stuff. 4 hours of nine life-sized dolls of the former Volksbuehne star Henry Hübchen being thrown around on stage; 4 hours of actors walking in […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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The theatre trip I’m on right now is as exhilarating as it is exhausting, and I have nowhere near enough time to write about what I’m seeing. I’ll probably do a short-form round up of sorts in the next couple of days. But the other night, I saw a production that I have to write […]
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A quickie, as my jet-lagged brain and Austrian-food-stuffed body aren’t up to more than that.
The Lady from the Sea is one of Ibsen’s infrequently performed plays, so if you need a plot summary (I would have), be thankful that Ibsen has a website. Bergmann’s production at the Akademietheater, the Burgtheater’s […]
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Sixteen shows in, Berlin theatre still manages to surprise me with new stylistic choices, visual arsenals, and performance aesthetics. Stefan Pucher’s Hedda Gabler at the Deutsches Theater was the first production that used the revolve to switch between sets – every other time I’ve seen that feature used, it was obviously the stage floor itself […]
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What an action packed day! A morning discussion with Michael Thalheimer and Constanze Becker about their Medea, an afternoon discussion about the play with Inge Stephan and Hans-Thies Lehmann, and then my second Enemy of the People in three days, at the Maxim Gorki Theatre — the smallest of the six […]
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Third day, third totally different kind of theatre. The smallest auditorium yet and the smallest stage; an audience somewhere between those at the DT and the Volksbuehne. And stylistically, easily the most naturalistic approach to acting. No wonder Ostermeier’s productions travel so well.
After just a few days in Berlin, what’s […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
