Currently viewing the tag: "classics"
First things first: Red One Theatre’s production of Patrick Marber’s After Miss Julie, directed by David Ferry, is pretty great. It’s gritty, intense theatre, unafraid and raw, and uncommonly willing to take risks. I don’t recall seeing a show in Toronto before quite so happy to just let its figures exist — let them move […]
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German stagings of classics are often exciting because they draw attention to the challenges as well as the necessity of playing works of the past — they find an enormous source of energy in the friction between old and new rather than papering over the distance between text and performance with the tired blend of […]
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This is an obituary.
Let me quote Soulpepper’s own company history, a history that traces the progress from a “dream” to “making the dream a reality” to the birth of “a new company”:
Soulpepper Theatre Company began with twelve actors who wanted to explore the great stories of classical theatre and inspire the […]
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Before I respond to Jacob Zimmer’s thoughtful and generous comments on my “5 Points of Contention,” I first have to give him, or rather his company, Small Wooden Shoe, massive kudos for staging a reading of, would you believe it, Kleist’s Prince of Homburg on Monday — by sheer coincidence, one […]
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I’ll have more to say on this later on, but here, for your consideration, two lengthy-ish quotations from not altogether recent works about what’s wrong with some approaches to staging the classics — approaches that remain, sadly, utterly dominant in Canada.
In chronological order, first, here’s Bertolt Brecht, from “Intimidation through Classicism” (1954), a short […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
