A bit of a thumbnail sketch of a post, really just to air an annoyance (surprise!) and to raise a question that someone may already have answered.
The common assumption, following, as always, as always, in Andrew Gurr’s footsteps, seems to be that James Burbage bought the hall in the Blackfriars and had it turned […]
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A few weeks ago, Shakespeare made headlines once again. Or rather, Douglas Bruster did — thanks to, of all things, a Notes & Queries essay. Bruster’s piece argued that orthographic parallels between the Hand D sheets in the Book of Sir Thomas More manuscript and the additions to Kyd’s Spanish Tragedy first printed in the […]
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I am very glad to say that the Stratford production of Maria Stuart, directed by Antoni Cimolino, is quite, quite excellent. I do go on about how much our theatre lacks stagings of Schiller and other underperformed classics, after all, and I wasn’t at all sure how the Festival would present this play. Having seen […]
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First day in Stratford. Happy things first: I did really quite like Chris Abraham’s Othello (the swooning enthusiasm in many reviews and some of the reactions on Twitter seems a bit hysterical to me, but whatever). Julie Fox’s set in particular is a delight – three slabs of red wood, one as a raked, rotating […]
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This afternoon, I sat through an hour-long, occasionally impassioned, mostly entertaining, at points gallingly historically inaccurate debate at SummerWorks on the question of whether funding for the arts should continue. Moderated by PraxisTheatre’s Michael Wheeler, the two sides of the argument were represented by Canadian journalist and columnist Andrew Coyne and theatre maker Nadia Ross […]
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About a month ago, Jordan Tannahill posted what he called an “anti-canon of essential Canadian theatre and performance” in list form as a note on Facebook; a few weeks later, a modified version appeared as blog post on praxistheatre.com; and yesterday, Sarah Garton Stanley’s response to Tannahill’s original list was
About a year ago, prompted by the mess at the Factory Theatre, I started writing a series of blog posts about what bothered me about our city’s theatre scene. Kelly Nestruck’s article in this Saturday’s Globe and Mail about one of Toronto’s major theatre companies, Soulpepper, now has me reconsidering some of what […]
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I’m posting a string of German season announcements for 2013/14 on my tumblr.
These are kind of amazing documents: proper books, sometimes well over 100 pages long, that introduce the ensemble for the coming season — with full-size head shots and detailed bios — but more importantly, provide information about the next season’s […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.