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"Theatre"
This isn’t a post so much as a call for responses. In some of the comments on my “Youth Problem” post, both on the blog and on Facebook, a thread was emerging that suggested that one reason we see far fewer young actors on Canadian stages is that our actors aren’t as well […]
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First things first: Red One Theatre’s production of Patrick Marber’s After Miss Julie, directed by David Ferry, is pretty great. It’s gritty, intense theatre, unafraid and raw, and uncommonly willing to take risks. I don’t recall seeing a show in Toronto before quite so happy to just let its figures exist — let them move […]
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A couple of weeks ago when I was in Vienna, attending a congress celebrating the 125th anniversary of the Burgtheater’s current home, an utterly over-the-top theatre palace and one of the reputed hallowed sites of German-language performance arts, I picked up a substantial, glossy volume published by a theatre scholar in collaboration with the Burgtheater. […]
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For your delectation, a small collection of trailers, reports, and cast interviews from a fairly rich array of recent productions of Romeo and Juliet, mostly from English- and German-speaking countries. Enjoy!
http://shorterdispositio.tumblr.com/
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It begins with an empty, black stage. Well, almost empty. There’s a huge box fan stage left, backlit with a spot. A single figure in a shabby black suit appears, with a microphone. And then, the storm. The besuited actor whistles like a breeze, howls like the wind, roars like crashing waves. The fan starts […]
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This is just a sort of placeholder post. I loved this production. But I have no idea how — let alone why — to write about it in English. Nestroy is the great undiscovered country of German dramatic literature; this is true even within the German-speaking world, as he’s rarely performed outside his native Austria, […]
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A quickie, as my jet-lagged brain and Austrian-food-stuffed body aren’t up to more than that.
The Lady from the Sea is one of Ibsen’s infrequently performed plays, so if you need a plot summary (I would have), be thankful that Ibsen has a website. Bergmann’s production at the Akademietheater, the Burgtheater’s […]
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As some of you may know, I’ve published a number of essays taking issue with the claim that London’s theatre world became a “duopoly” in 1594, a system in which two companies chosen by the government, the Admiral’s Men and the Lord Chamberlain’s Men, each got half the city’s theatrical market for at least six […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
