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"Shakespeare"
In my last post, I darkly hinted at a new research project. Let me throw a bit more light on the subject.
Over the next couple of years, I’m planning to get my hands dirty in both comparative literature and in practice-based research. Most broadly, I want to figure out what exactly “a classic” is […]
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My old friend Stephen Marche, the renowned Shakespearean, is at it again, this time with an impassioned piece preaching the massively controversial credo that “Literature is not Data.” It’s an attack on authors and academics. Or on digital humanists. Or on algorithms (which are, saith Marche, fascist). Or something. […]
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[At long last, a new early modern post. The essay below will appear in a volume on Marlowe in Context, edited by Emily C. Bartels and Emma Smith, and forthcoming from Cambridge University Press later this year — for full citations, see the print version.]
What exactly was Christopher Marlowe’s ‘moment’? Was it the late […]
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A four hour drive through Ontario nothingness, almost $200 for tickets alone, barely suppressed rage at inane audience comments (it boggles the mind how much damage Harold Bloom has done to Shakespeare): totally worth it for Elektra. For Cymbeline, not so much.
Robert Cushman and Kelly Nestruck have written nicely detailed […]
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Toronto is a great theatre city. All year long, a wonderful variety of performances are on offer here, from commercial, production-values-driven Mirvish musicals to the fantastic range of shows staged essentially for free and driven by little more than love of the art during the summer festivals, the Fringe and SummerWorks. We have a number […]
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I’ll have more to say on this later on, but here, for your consideration, two lengthy-ish quotations from not altogether recent works about what’s wrong with some approaches to staging the classics — approaches that remain, sadly, utterly dominant in Canada.
In chronological order, first, here’s Bertolt Brecht, from “Intimidation through Classicism” (1954), a short […]
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This is a snapshot of a post. It’s the product of an hour or two of research, and I’ll probably come back to the topic soon, and in more detail. For now, here’s a sketch of an infuriating situation.
I always knew that theatres in the English speaking world in general, and in Canada in […]
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This post is a long excerpt from an essay of mine published a few months ago, “‘But, what euer you do, Buy’: Richard II as Popular Commodity” (in Jeremy Lopez, ed., Richard II: New Critical Essays, London and New York: Routledge, 2012, 223-44). You’ll find the concluding sections and full citations in the […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
