Currently viewing the category:
"Performance Reviews"
This is just a sort of placeholder post. I loved this production. But I have no idea how — let alone why — to write about it in English. Nestroy is the great undiscovered country of German dramatic literature; this is true even within the German-speaking world, as he’s rarely performed outside his native Austria, […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
A quickie, as my jet-lagged brain and Austrian-food-stuffed body aren’t up to more than that.
The Lady from the Sea is one of Ibsen’s infrequently performed plays, so if you need a plot summary (I would have), be thankful that Ibsen has a website. Bergmann’s production at the Akademietheater, the Burgtheater’s […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
I am very glad to say that the Stratford production of Maria Stuart, directed by Antoni Cimolino, is quite, quite excellent. I do go on about how much our theatre lacks stagings of Schiller and other underperformed classics, after all, and I wasn’t at all sure how the Festival would present this play. Having seen […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
First day in Stratford. Happy things first: I did really quite like Chris Abraham’s Othello (the swooning enthusiasm in many reviews and some of the reactions on Twitter seems a bit hysterical to me, but whatever). Julie Fox’s set in particular is a delight – three slabs of red wood, one as a raked, rotating […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
I’m posting a string of German season announcements for 2013/14 on my tumblr.
These are kind of amazing documents: proper books, sometimes well over 100 pages long, that introduce the ensemble for the coming season — with full-size head shots and detailed bios — but more importantly, provide information about the next season’s […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
I’ve just started posting on Tumblr, here: shorterdispositio.tumblr.com
This new micro-blog, dispositio’s little sibling, will largely consist of trailers and photos from contemporary productions of classical plays. Possibly, I’ll write the odd very short post, but the bulk of what I have to say will still appear on here — the tumblr is […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
My second Romeo and Juliet in Germany this year, and a much more satisfying production than Lars Eidinger’s at the Schaubuehne, which I saw in May. That’s not to say that the two productions were worlds apart: in fact, they approached the play in broadly similar ways (and Bettina Bruinier’s version premiered three […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
My final day in Berlin, my sixth show at the Deutsches Theater: finally Shakespeare. And relatively rarely performed Shakespeare, too: Coriolanus, in a new translation by Andres Marber that to my mind got more right than wrong – it certainly didn’t interfere with my enjoyment as much as the late Thomas Brasch’s famed version of […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Recent Comments
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on My Trouble with Practice-as-Research
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on Where is the Theatre in Original Practice?
- Alex on Steven Moffat, Sherlock, and Neo-Victorian Sexism
- Tim Keenan on Where is the Theatre in Original Practice?
- Holger Syme on 1920s Berlin Theatre: Research Marginalia 1
Archives
- November 2021
- April 2020
- March 2020
- October 2019
- January 2019
- December 2018
- November 2018
- October 2018
- March 2018
- February 2018
- January 2018
- July 2017
- May 2017
- March 2017
- November 2016
- October 2016
- September 2016
- August 2016
- June 2016
- May 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- February 2015
- January 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
