I’m not sure I’ve ever seen as rigorous, as complete, and as compelling a piece of theatre on a UK stage as Ivo van Hove’s take on Arthur Miller’s View from the Bridge. What’s marvellous about the show is that it takes a thoroughly middle European aesthetic and investment in theatricality but allows its British […]
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Making good on my new year’s resolutions: going to more Toronto theatre and writing about shows on the blog rather than on Facebook. So this is rough and quick and off the cuff and relatively unfiltered.
I really, really wanted to like this production. I’m hugely supportive of CanStage including classics in their season, I […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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I’ve decided to go through my many Facebook posts about theatre from last year and collect all my instant reactions to shows as I saw them — fragmentary, brusque, overly enthusiastic or unsympathetic as they may be. Sometimes these posts spawned spirited discussions, and I’ll try to include whatever else I said as the threads […]
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As quiet as it’s been on here lately, and although I have seen all of three plays in the last two months, 2014 was actually a pretty exciting year in theatre for me:
Still: there are regrets. I didn’t write about too many of those shows. I have half-finished drafts […]
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Bloody Family is the kind of show I ought to love unreservedly. It’s a new performance based on an old — perhaps the oldest — play, it’s committed to its own theatricality, it plays with fictional and real worlds, it’s exploratory and open, and despite all that, it doesn’t take itself too too seriously. It’s […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.