Or, as my original title had it, “Shakespeare as Usual”:
My op-ed in The Montreal Gazette, responding to Oxfordian Keir Cutler’s piece published last Thursday.
Here’s how it starts:
I don’t think Keir Cutler (“There is method in this madness,” Opinion, Oct. 27) and others who believe Shakespeare wasn’t Shakespeare are certifiably mad. […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
As I argued in a post last week, academic Shakespeareans need to confront those who make it their mission to convince the public that Shakespeare didn’t write the plays Shakespeare wrote. We can’t afford to ignore these claims, lest we appear scared, indifferent, or silently consenting. But unlike some of my colleagues, I think […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
For the longest time, academic Shakespeare specialists have simply ignored the so-called authorship controversy. In the face of a steady stream of books proposing one supposed “real Shakespeare” after another, we in the academy have largely shrugged and turned back to the kind of work we consider important, relevant, and worthwhile; and most of that […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Last weekend, I had the dubious pleasure of attending the world premiere of Roland Emmerich’s Anonymous at the invitation of a German TV journalist who wanted to interview me about the film. His painstakingly neutral report aired yesterday; thanks to artful editing, I can be seen and heard being far too nice about […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
On Friday, David Starkey, the TV historian, made a fool of himself on the BBC’s Newsnight. Blundering into the debate over what lies behind the recent riots in England, he suggested that “whites” had become too “black” — that England’s youths riot because they’re trying too hard to be like Ice-T and 50 Cent.
It would be nice to start this post with a semi-snappy line like “Stephen Marche has written a monumentally stupid book about Shakespeare” or “How Shakespeare Changed Everything may be the most ignorant book about Shakespeare published this century.” Neither statement would be inaccurate, exactly. But Marche’s book is so preposterous in its […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
My forthcoming book as word cloud (via Wordle; click for full-size image):
Having just finished the index, I think this looks like a pretty accurate summary. “Mediation” and “performance” could perhaps be bigger, and I’m surprised Shakespeare and especially Jonson aren’t more prominent, but it’s true that “authority” […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
If you spend your life working on Shakespeare, sooner or later someone’s going to pop the question: “Did he really write the plays?”
If you are a serious, textual-studies minded Shakespearean, you might respond with something along these lines: “Well. Probably not all of them on his own. He only collaborated on 1 Henry VI, and […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Recent Comments
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on My Trouble with Practice-as-Research
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on Where is the Theatre in Original Practice?
- Alex on Steven Moffat, Sherlock, and Neo-Victorian Sexism
- Tim Keenan on Where is the Theatre in Original Practice?
- Holger Syme on 1920s Berlin Theatre: Research Marginalia 1
Archives
- November 2021
- April 2020
- March 2020
- October 2019
- January 2019
- December 2018
- November 2018
- October 2018
- March 2018
- February 2018
- January 2018
- July 2017
- May 2017
- March 2017
- November 2016
- October 2016
- September 2016
- August 2016
- June 2016
- May 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- February 2015
- January 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.