In my last post, I darkly hinted at a new research project. Let me throw a bit more light on the subject.
Over the next couple of years, I’m planning to get my hands dirty in both comparative literature and in practice-based research. Most broadly, I want to figure out what exactly “a classic” is […]
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Things have been quiet here for the past few weeks — life didn’t quite kill the blog, but kept it pretty much dormant. Now that I have a few days of calm, though, I wanted to write two posts: this one, looking back on the past year and what happened to dispositio, and a second […]
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My old friend Stephen Marche, the renowned Shakespearean, is at it again, this time with an impassioned piece preaching the massively controversial credo that “Literature is not Data.” It’s an attack on authors and academics. Or on digital humanists. Or on algorithms (which are, saith Marche, fascist). Or something. […]
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Why hello, inane Shakespeareana! Haven’t seen you in a while. Oh, it’s the Olympics coming up? That explains a lot.
It’s a bit unclear what exactly the point of the video — or the exhibition it’s advertising — might be, but it seems to have something to do with Shakespeare’s […]
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[This is a very lightly edited version of a paper I gave last weekend at the Renaissance Society of America conference in Washington, DC. Many thanks to Adam Hooks and András Kiséry for organizing the panel and for their excellent papers!]
Thomas Dekker should be central to discussions of early modern theatre, but he isn’t. […]
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Since it seems that all policy decisions now have to be justified on economic grounds, I suppose it made sense for the Ontario government to turn to a former banker and current economist for advice on the future direction of the province. The 600-plus-page document Don Drummond produced in response has been extensively covered in […]
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After various disruptions and diversions, here’s the fifth and final part of my series on manuscript annotations in playbooks in the Folger Shakespeare Library.
I thought it would be fitting to finish up with a couple of Shakespearean references. The discovery of a new mention of Shakespeare is, after all, one of the great archival […]
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Resuming my regularly scheduled program: some more playbook marginalia.
This instalment features the kind of readerly annotations that I find most interesting. In previous posts, I looked at marks that appear to be theatrical in origin, or at least treat the text as a script for performance; I also discussed some instances of […]
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.