Currently viewing the category:
"Academic Issues"
This is the most self-serving of posts.
This week, the new third edition of the Norton Shakespeare finally came out. It’s a total overhaul of this widely used text: unlike the first two editions, which were based on the Oxford Shakespeare, “Norton 3” includes fully edited and annotated texts of all significant […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
I just remembered this essay, which I wrote a few years ago but never managed to get in sufficient shape for publication. It still isn’t quite right, and I’ve mostly moved on to other questions, but now that I’ve looked at it again, and am newly aware of its existence, I thought I might as […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Generally, I think of the posts I write on my blog as related to but separate from my academic work. With the exception of a few conference papers and a handful of other pieces, what I publish here shares some intellectual common ground with my research on contemporary performance, but it takes a different tone […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
“This American Life” host Ira Glass went to Central Park to see King Lear with John Lithgow in the title role. He thought Lithgow was “amazing.” He also, a bit more controversially, thought the play was kind of crappy (leaving unanswered the question of how an actor can be amazing in such an […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
“Original practices,” a phrase coined, apparently at Shakespeare’s Globe, in or around 2002, refers to concerted efforts to explore, in a theatrical setting, “certain stage conventions of late sixteenth-century theatre.”[1] As Megan McDonough elaborated on her now-defunct website www.originalpractices.com, “Original Practices is a term used as short-hand for the recreation of one or […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
This is a set of thoughts and questions I produced for a workshop on (performance) Practice-as-Research (organized by Andy Kesson and Stephen Purcell) at next week’s Shakespeare Association of America conference in St Louis. Nothing I say in here applies, really, to the kind of research-as-practice undertaken by scholar-practitioners engaged in the making of new […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
I would not ordinarily do this: I wouldn’t ordinarily attack a colleague in public over something that colleague said in a non-academic publication. Thankfully, David Gilmour isn’t actually a colleague of mine, despite what you might have read. Gilmour is emphatically not a “University of Toronto literature professor.” He is a novelist and a broadcaster; […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Dear readers, let me invite you all to a talk I have co-organized with the Centre for Drama, Theatre and Performance Studies at U of T as part of their Friday Chat Series:
Annemarie Matzke
(University of Hildesheim, Germany)
“Theatre at Work: Towards a Theory of Theatre Rehearsal […]
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on LinkedIn (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
Recent Comments
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on My Trouble with Practice-as-Research
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on Where is the Theatre in Original Practice?
- Alex on Steven Moffat, Sherlock, and Neo-Victorian Sexism
- Tim Keenan on Where is the Theatre in Original Practice?
- Holger Syme on 1920s Berlin Theatre: Research Marginalia 1
Archives
- November 2021
- April 2020
- March 2020
- October 2019
- January 2019
- December 2018
- November 2018
- October 2018
- March 2018
- February 2018
- January 2018
- July 2017
- May 2017
- March 2017
- November 2016
- October 2016
- September 2016
- August 2016
- June 2016
- May 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- February 2015
- January 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- May 2013
- April 2013
- March 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
