From the monthly archives: October 2012
My old friend Stephen Marche, the renowned Shakespearean, is at it again, this time with an impassioned piece preaching the massively controversial credo that “Literature is not Data.” It’s an attack on authors and academics. Or on digital humanists. Or on algorithms (which are, saith Marche, fascist). Or something. […]
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[At long last, a new early modern post. The essay below will appear in a volume on Marlowe in Context, edited by Emily C. Bartels and Emma Smith, and forthcoming from Cambridge University Press later this year — for full citations, see the print version.]
What exactly was Christopher Marlowe’s ‘moment’? Was it the late […]
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The Princess of Wales is a very nice theatre. The idea of knocking it down barely twenty years after it was built seems utterly bonkers. The Princess of Wales is an absolutely enormous theatre. The idea that it should ever work as a performance space in a city the size of Toronto is utterly bonkers.
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
