From the monthly archives: January 2012
Now that season 2 of Sherlock is over (NOOOO!), I just want to say that as far I’m concerned, the massive downer that was “A Scandal in Belgravia” was to some extent remedied by “The Hounds of Baskerville,” despite the visual wank-fest that was Sherlock’s “mind-palace” (no-one should ever be made to look like Tom […]
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Resuming my regularly scheduled program: some more playbook marginalia.
This instalment features the kind of readerly annotations that I find most interesting. In previous posts, I looked at marks that appear to be theatrical in origin, or at least treat the text as a script for performance; I also discussed some instances of […]
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So I thought this would be funny, as an addendum to the discussion of the sexism of Sherlock. Add more below!
Steven Moffat adapts Jane Eyre:
“Reader, he married me.”
Steven Moffat adapts Pride and Prejudice:
“It is a truth universally acknowledged that a single woman in possession of a good fortune […]
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Apropos yesterday’s first episode of the second series of Sherlock, Steven Moffat’s reinvention of Arthur Conan Doyle’s stories for the twenty-first century (a show I love and admire in many ways) — an episode entitled “A Scandal in Belgravia” — I felt it might be worthwhile to look back at Moffat’s main source, Doyle’s “A […]
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Recent Comments
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on My Trouble with Practice-as-Research
- Premodern Performance-based Research: A Partial Bibliography – Alabama Shakespeare Project on Where is the Theatre in Original Practice?
- Alex on Steven Moffat, Sherlock, and Neo-Victorian Sexism
- Tim Keenan on Where is the Theatre in Original Practice?
- Holger Syme on 1920s Berlin Theatre: Research Marginalia 1
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Copyright
Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.
